The Art Of Accompaniment On The Guitar
Acoustic Alchemy The Early Years
J S Bach for Guitar Quartet
Sgt Peppers Lonely Hearts Club Band for Guitar Quartet
Simon James Preludes and Studies
Christmas Carols for Voice and Guitar
Ed Sheeran for Voice and Guitar
Adele for Voice and Guitar
Guitar Duets
The Art Of Accompaniment On The Guitar
Acoustic Alchemy The Early Years
J S Bach for Guitar Quartet
Sgt Peppers Lonely Hearts Club Band for Guitar Quartet
Simon James Preludes and Studies
Christmas Carols for Voice and Guitar
Ed Sheeran for Voice and Guitar
Adele for Voice and Guitar
Guitar Duets
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The Art of accompaniment
review from Amazon
Mark Marrington
5 out of 5 stars
Carefully designed, useful and above all, enjoyable,
‘The Art of Accompaniment’ is a well put together and engaging tutor in guitar accompaniment by Simon James, an experienced and versatile performer who is comfortable in a wide range of musical styles. The book’s main focus is on accompanying the voice but the material covered could also be useful in a range of other guitar playing contexts. The book is well laid out moving from preliminary tutorials dealing with concepts of technique (sitting, left and right hand styles and chord changes) and music theory (keys, chords, rhythm, notation etc) to focusing on individual song accompaniments. These are then developed throughout the book via well known popular songs, such as ‘Mull of Kintyre’ and ‘Hey Jude’, allowing their application in a familiar musical context. The book’s learning materials are supported by accompanying photographs together with a number of well-presented video clips housed on the book’s accompanying Youtube channel in which Simon demonstrates the various points he is discussing.
The Art Of Accompaniment On The Guitar
Precious few guitarists can accompany a singer sensitively and stylistically; these books are a really good place to start for people seeking to acquire this skill.
by Ed Jones
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REVIEW - JERSEY ARTS CENTRE
Maria Ewing & Kymaera
Maria Ewing described as ‘one of the greatest singing actresses alive today’ has stage presence, charisma and striking beauty. And she can sing in a voice which alternates between velvet smooth low notes, striking staccato beats and melodious highs with such ease that you wonder if it is the same person singing. She was also blessed with two fantastic accompanists and guitarists in their own right, Shane Hill and Simon James, who kept the tempo of the evening upbeat with their accomplished lively and confident playing.
by Louise Nibbs
journalistNo posts were found for provided query parameters.
Anyone who saw Sir Willard White as Monterone in Opera North’s Rigoletto recently will know that his bass-baritone voice, with its distinctive timbre, is still operating at full throttle. On the other hand anyone who bought a ticket for An Evening with Sir Willard White knew they weren’t in for an evening of Verdi and Wagner.
The situation was complicated (or possibly simplified) by the presence onstage of the Kymaera Duo, Shane Hill and Simon James, an experienced guitar duo whose roots lie, respectively, in jazz and Spanish music and whose albums tend towards smooth jazz and Latin jazz.
His programme began firmly in the classical style with Don Giovanni’s Serenade, Valentin’s aria from Faust (using the much-loved old translation, “Even bravest hearts may swell…”) and, best of all, Schubert’s Who is Sylvia?, delivered with poise and delicacy.The Kymaera Duo certainly played their part in the evening. If the accompaniment to some of the early pieces sounded a bit thin, they were soon into their stride, soloing with authority on some of the vocal pieces and revisiting their roots in three instrumental numbers, swapping lead and rhythm easily in Paco de Lucia and Django Reinhardt numbers.
The Reviews Hub - Yorkshire & North East
An Evening with Sir Willard White – York Theatre Royal
